“With Bane, the physicality is the thing. With a good villain you need an archetype, you know, you need the extreme of some type of villainy. The Joker is obviously a particular archetype of diabolical, chaotic anarchy and has a devilish sense of humor. Bane, to me, is something we haven’t dealt with in the films. We wanted to do something very different in this film. He’s a primarily physical villain, he’s a classic movie monster in a way — but with a terrific brain. I think he’s a fascinating character. I think people are going to get a kick out of what we’ve done with him”
Nolan admits he knew very little about big Bane until co-plotter David S. Goyer gave him background information - "I only knew him by name, I wasn’t familiar with his back story. He’s a very cool character. And getting an actor like Tom to take it on, you know you’re going to get something very special. Tom is somebody who really knows how to put character into every gesture, every aspect of his physicality in the way that great actors can. He’s a very, very physical actor. He transforms himself and it’s there in every movement.”
Nolan also talks about why the sequel is set years after the events of "The Dark Knight"- “it’s hard for me to articulate it. I think the mood at the beginning of the film will make a lot of sense. If I had to express it thematically, I think what we’re saying is that for Batman and Commissioner Gordon (Gary Oldman), there’s a big sacrifice, a big compromise, at the end of the ‘The Dark Knight’ and for that to mean something, that sacrifice has to work and Gotham has to get better in a sense. They have to achieve something for the ending of that film — and the feeling at the end of that film — to have validity. Their sacrifice has to have meaning and it takes time to establish that and to show that, and that’s the primary reason we did that. It's a time period that is not so far ahead that we would have to do crazy makeup or anything - which I think would be distracting - but it gave them something to get their teeth into, particularly Christian Bale in terms of [portraying] this guy who has been frozen in this moment in time with nowhere to go. He really has done an incredible job figuring out how to characterize that and express that.”
Nolan wrapped up discussing the six minute prologue footage popping up in select IMAX theaters with Mission: Impossible-Ghost Protocol on Friday.
Nolan says the aerial stunt sequence "was a tricky sequence to shoot but a lot of very talented people worked very hard on it. And I’m thrilled with the result. We shot it in Scotland. We braved the weather — it rains all the time there, a terrible place to do an aerial sequence, which is why no one has sort of done it before. You usually wind up in the desert or something for very practical reasons. But it really came off. We got very lucky with the weather and a lot of good planning went into it. I think it had a very unique look.”
Meantime The Surrey Comet gave away a SPOILER of sorts in reporting that eight-year-old actress Leilah de Meza was offered a role in the film but turned it down because the producers insisted the actress would have to shave all her head--that of A young Talia al Ghul--who is the daughter of Ra's al Ghul in the comics.
Actress Joey King was eventually hired for the part which best guess is that she will appear in flashbacks with the younger version of Liam Neeson's Ra's character played by actor Josh Pence.
Anne Hathaway, Joseph Gordon-Levitt Marion Cotillard, Alon Aboutboul and Nestor Carbonell star along with return of the trilogy's ensemble cast such as Morgan Freeman and Michael Caine Cillian Murphy might be making a cameo
Matthew Modine Tom Conti Daniel Sunjata Diego Klattenhoff Christopher Judge "CSI: Miami" co-star Adam Rodriguez and Burn Gorman take on secondary roles. Rob Brown and Italian actor Massi Furlan have small roles in the film as well
Nolan calls action on the DKR from a screenplay he wrote with bro Jonathan Nolan, from a story by Nolan and Goyer
The sequel is set to hit theaters on July 20th, 2012.
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