"We shot in 3D with 4 Epics mounted on 2 3ality TS-5 rigs today, we did 22 set ups, including running high speed and the images look stunning! I do believe the sensor is iso 800 minus 1 stop for the mirror in daylight and iso 640 in tungsten light but that is really for every dp to determine for themselves, Brook Willard and I figured 640 tungsten but that's just a number.
For the first time in digital cinematography, small size doesn't come with a resolution penalty, as a matter of fact there isn't a higher resolution camera available other than IMAX and this one weighs 5lbs with an ultra prime on it, suddenly 3D isn't a 100lb beast! We had the cameras on dollies and a libra head today and we flew the 3D rig like it was an Arri 435
I am lighting by eye except that I've had to re-train myself to work at lower light levels because the camera is so sensitive. The images we made today were stunning, rich beautiful color and the resolution of a vistavision camera all in a package the size of a Hasselblad 501. We are shooting 2.40 at 5K, there wasn't a hiccup from the cameras all day, the data was flawless, and there was a lot of it. I can tell you without these cameras it would be impossible to move a 3D rig in the ways that THIS story demands, if Jim and the crew hadn't made these cameras available to us I don't think we could have shot this movie the way our director envisioned it in 3D."
The RED Epic cameras are also being used on both of Peter Jackso's upcoming The Hobbit: Part 1 and 2
I post this news as a way of telling you that I have a film pal who is gonna let me see the RED system in action over the holidays--Can't Wait!!!!!!!!!!!!!
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